A man moves from New York to Hollywood hoping to make it as a film writer, Barton Fink as a whole is a satire to the notion of artistic creations. While writers in the story like Fink and Mayhew claims themselves to be artists and understanding of the struggles and glories of the everyday people, it is satisfying to watch how little they actually understand these concepts. With the paper thin walls of the hotel, it is perhaps not surprising for characters like Charlie to be enraged by their feigned sincerity, and for their abrupt and forced intrusion into their lives. Ultimately it is not this understanding that sells in the box office, but a much simpler method that could be achieved only by everyday people. What Barton Fink experienced was not a writer's block, but the inability to construct a simple story which his complex mind could not conjure. A beautiful premise behind a gorgeo
Barton Fink
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Barton Fink
BartonFink.jpg
Theatrical release poster
Directed by
Joel Coen
Produced by
Ethan Coen
Written by
Joel Coen
Ethan Coen
Starring
John Turturro
John Goodman
Music by
Carter Burwell
Cinematography
Roger Deakins
Editing by
Joel Coen
Ethan Coen
(as Roderick Jaynes)
Studio
Circle Films
Working Title Films
Distributed by
20th Century Fox
Release dates
May 1991 (Cannes)
August 21, 1991
Running time
116 minutes［1］
Country
United States
Language
English
Budget
$9 million
Box office
$6,153,939
说实话我看这部电影挺累的，对于后现代主义的东西我一直都比较费解，每一个细节都有隐喻，太难理解太难理解了……但它的确是部好电影
抛去这部电影超现实主义色彩的种种隐喻和复杂多样的电影拍摄手法（水平有限），不妨聊聊在我看来这部电影想要表达的思想。
首先对于这部电影所想要表达的主体思想，我觉得大致可分为两个方向，电影围绕一个小有名气的剧作家巴顿芬克为主人公展开，所要表达无非是对巴顿芬克为代表的文艺工作者和对好莱坞为代表的艺术创作环境的审视。
“审视文艺工作者”我认为主要是展示在一种特定社会环境下的作家甚至说一些文艺工作者他们内心的矛盾，引用电影中所说即“一场与自己灵魂的摔跤”
《巴顿·芬克》Barton Fink
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