It was Roger Ebert's highly favorable review led me to this little animation dog film, adapted by Paul Fierlinger and Sandra Fierlinger from J.R.Ackerley's 1956 memoir with the same title, voice over by Christopher Plummer, Lynn Redgrave and Isabella Rossellini. Released June 10, 2009.
大家在哪找到的，网上好像是没有。有知情者联系我。
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男人无老婆，养只狗也能行。片子讲述一只狗和主人的伴侣生涯。这只狗最后先走一步，却让主人写了一本书来纪念，两个家伙都能由此名垂青史，也不辜负十几年的同甘共苦。本以为这样的作品应该煽情至观众黯然泪下，结果却是一个冷静得让人到处找痒痒挠儿的结局。这样的手笔确实挺英国的。
片子里面有很多很露骨的狗的性生活，画得不失幽默，但是这部分内容有点拖沓，看着看着不知道自己到底是在看人狗伙伴关系，还是在看动物色情片。给狗找对象成了电影的主要部分，伴随的是主人啰嗦怪癖的性格。那个絮叨劲儿确实让人想起常在英国公园里转悠，穿着皱了吧唧的西装，在寒风里用手绢呜呜地擤鼻涕的英国老大爷。
片子从头到尾有旁白讲述，动画仿佛是插图。说是传统风格，却也有形式上的突破。总体感觉，动画设计有很多有意思的细节。画面中有很多英国元素，红公共汽车、黑色出租车、泰晤士河，还有那个有名的Batersea电厂....一看就是要给美国人看的片子。不过，居然出现明显的史实错误：那种后开口的红色公共汽车（Routemaster)是在1956年才开始在伦敦使用的
For as long as I could remember, I had been searching for an ideal friend. But I have never really found the person who fitted my exacting requirements. There was always some flaw, too tall, too short, too outgoing, too shy, too insecure, too independent... As the years passed and the opportunities grew fewer, I had a mental image of the ideal friend as a plain jug containing a delightful mix of good companionship and intellectual stimulation, the shape, age and size of which no longer had any importance for me. I still felt that if I only turned this corner instead of that or boarded this bus rather than that one, I would find the ideal friend waiting for me and that we would reconize each other at once after the exchange of a few words. Ah, and a further complication was that I did not want anyone to think that I was pursuing them. It was therefore necessary to encounter the ide
阿克利笔触可以说是很冷静了，没有哭天喊地悲痛离开的杜莉，典型的英国式幽默让人啼笑皆非。看到最后，有点想哭，但也留不出眼泪，阿克利和郁金香的结局似乎可以说是完美的，毕竟郁金香活到了十六岁半，阿克利也平静地面对这一事实。他们两个是互相拥抱取暖的关系，阿克利从郁金香那里得到了从没有在家人那里得到的爱，郁金香也安稳地过了一生。郁金香是阿克利的“理想朋友”，阿克利也是郁金香一生唯一的主人。仔细想一想，人们所渴望的爱情也不过如此，阿克利和郁金香的关系耐人寻味，看了英文小说
“牧羊犬郁金香”感人的喜剧片 大家在哪找到的
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