热映电影克里米亚的宝藏
克里米亚的宝藏

克里米亚的宝藏

The Treasures of Crimea

影片信息

克里米亚的宝藏
  • 影视名:克里米亚的宝藏
  • 状态:更新至1集
  • 演出:
  • 导演:Oeke Hoogendijk
  • 年代:2021
  • 地区:荷兰
  • 归类:纪录片
  • 频道:dy
  • 首映:2021-11(阿姆斯特丹国际纪录片节)
  • 语言:俄罗斯,荷兰语,乌克兰语
  • 更新:2024-04-29 08:44
  • 豆瓣:0.0
  • 简要:This is a fatal coincidence. In 2014, during the Crimean art exhibition held at the Alad Pearson Museum in Amsterdam, Russia annexed the region. So the question now is, who should the artwork be returned to? Who kindly lent out the museums in Crimea? Or Ukraine, perhaps the country before the annexation of Crimea? What should museum director Wim Hupperetz do? Senior documentary producer Oeke Hoogendijk ("The New National Museum") is the woman in this job who aims to turn this complex issue into an exciting movie and find a human dimension in a complex judicial tug of war. Political, emotional, personal, cultural, and historical interests are all vying for status, as lawyers present their cases from a purely judicial perspective, and struggling museum directors face a huge gap in their collections. As Crimean archaeologists continue their groundbreaking historical work, their previous discoveries seem to be reburied in the Netherlands - isolated from the world in a warehouse, and they may be the biggest losers in this conflict.
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 网友收藏「IDFA 2021」Luminous & FrontlightDMZDocs 2022 「国际竞赛」纪录片2022第6届台湾国际人权影展(TIHRFF)片单|[Hybrid影展03.23-04.03] 2022年第19届哥本哈根国际纪录片节
This is a fatal coincidence. In 2014, during the Crimean art exhibition held at the Alad Pearson Museum in Amsterdam, Russia annexed the region. So the question now is, who should the artwork be returned to? Who kindly lent out the museums in Crimea? Or Ukraine, perhaps the country before the annexation of Crimea? What should museum director Wim Hupperetz do? Senior documentary producer Oeke Hoogendijk ("The New National Museum") is the woman in this job who aims to turn this complex issue into an exciting movie and find a human dimension in a complex judicial tug of war. Political, emotional, personal, cultural, and historical interests are all vying for status, as lawyers present their cases from a purely judicial perspective, and struggling museum directors face a huge gap in their collections. As Crimean archaeologists continue their groundbreaking historical work, their previous discoveries seem to be reburied in the Netherlands - isolated from the world in a warehouse, and they may be the biggest losers in this conflict.

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