Music
It is a musical, in the movie there are lots of Hokkien songs and Chen Jinlang’s famous songs. It is a movie full of local music and local feeling. It combined old songs and new songs together but audience won’t feel strange. Then the content of songs is all about sadness and with dolorous music, like ailment, separate, destiny. The lyrics are also reflection of Papaya sister’s own destiny.
Stage and costume design
Then design of stage and costume in this movie is flowery, give audience pleasure to eyes. For example of the last competition between Papaya sister and Durian sister, they changed many enchanting dresses on a glorious stage but sing some sadness songs with happy tune. This design emphasized the contrast between stage and true life. Reflect worldliness and flashy taste in those years.
Uncanny and funny factors
在这个常吃papaya的国度里，这样满怀朴素心愿的木瓜姐妹，那样的万种风情、欢歌悲曲，为新加坡的七月歌台文化做了经典印象。
一人一半，感情不散。独夜无伴守灯下，清风对面吹，十七八岁未出嫁，想著少年家……
如此“声乐”，能不“溺于”？。
金曲吐一首，多少歌台梦。
最能表现中国人世俗生活与精神世界的电影。导演在俯仰之间，洞察中国人生命的特质。
红红绿绿的七月歌台，那些个看不见的“好兄弟”们。代表着古老而早熟的中国人对阴阳两个世界的看法—世俗的生，超脱的死，再因爱而轮回。人生苦短，不过是一台大戏。台上唱的也好，台下看的也好，他唱罢你登场，不须急，无法替，一切早有安排，一切早已看破。
一切早已看破，假戏仍要真做。
【881】杨雁雁领演，新加坡音乐电影的强弱所在
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