"He was given to fits of rage, Jewish liberal paranoia, male chauvinism, self-righteous misanthropy, and nihilistic moods of despair.
He had complaints about life, but never any solutions.
He longed to be an artist, but balked at the necessary sacrifices.
In his most private moments, he spoke of his fear of death, which he elevated to tragic heights, when in fact it was mere narcissism.”
一个普通的周日下午，疫情期间依然没有电影院和咖啡馆，今日大雾，北京已变成了平壤。由于早上同朋友聊起去纽约的计划，于是午饭后决定重温一遍伍迪艾伦的“曼哈顿”。
上一次看已经是16年的北影节，而印象中这是一部絮絮叨叨但关于两个灵魂伴侣的美好的爱情故事，仔细重看却不是这样的。曼哈顿的街景和黛安基顿依然让人沉醉，但是伍迪艾伦扮演的男主角艾萨克以及甚至是电影里的每一个角色都是自私和不安的。每个人都关注着自己的感觉而作出选择，艾萨克，作为一个42岁的中年男子更是如此。对小女友的劝慰
经典爱情片 繁华的曼哈顿，忙碌的爱情
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