“Don’t peg me as a long-suffering, tormented wife” (paraphrasing here), says Joan (Close), the spouse of the newly announced Nobel laureate in literature, American writer Joseph Castleman (Pryce), to intending biographer Nathaniel Bone (Slater), who repeatedly abases himself in hope for Joseph’s unforthcoming permission to write about his extraordinary life. Well, Joan is not Joseph’s victim, if anything, she is a victim of her own poor judgement, precisely because it
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